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"I've always written about my life and the lives of people around me, and how everything intersects."Listen to Death Cab for Cutie's New Song 'The Ghosts of Beverly Drive'The son of a Navy officer, Gibbard moved around a lot as a kid, but grew up primarily in Bremerton, Wash., where he fell hard for punk and indie rock.He started Death Cab, a solo project that expanded into a quartet, in 1997 while studying engineering at Western Washington University. Of course, Gibbard isn’t exactly doling out specifics, but he admits that his inspiration should be “fairly obvious.” “I’m not going to change the way I’ve always written for fear of people correctly or incorrectly assigning a name and face to these songs,” Gibbard said in an interview with as a reflection on Gibbard and Deschanel’s three-year marriage, the Death Cab singer-songwriter says it deals more generally in the strangeness of celebrity and fame.“The person I’m singing to is an amalgamation of people I came across living in Los Angeles,” he said.
I understand that’s where faith comes into play." Gibbard is an activist for gay rights and wrote an article in The Daily Beast voicing why this issue is important to him.Gibbard released his debut solo album, Former Lives, in 2012, and a collaborative studio album, One Fast Move or I'm Gone (2009), with Uncle Tupelo and Son Volt's Jay Farrar.While performing guitar in the band Pinwheel, Gibbard recorded a demo cassette under the moniker Death Cab for Cutie, titled You Can Play These Songs with Chords (1997).The boyish frontman of Seattle's Death Cab for Cutie had spent the previous decade and a half establishing a reputation as one of the most sensitive — and hardest-working — figures in American indie rock.The band's music, moody but pretty, won devoted fans for its proud sense of vulnerability, and when Death Cab hit it big with 2005's million-selling "Plans," the group's long-building success made it a hero to messy-haired misfits everywhere.